The Four Worlds International Institute

An example of how Anti-mind virus of Anastasia is used in nuclear explosions, and mimicked creatively in the creation of a house:

9+1 Steps to Building A Home


1: Inanimated guessing. When rays in water act like particles. This is the base material of what-ever is chosen to build the house with. It is also using something that cant be used, and so falling apart. The best material will always be the one that does not have to worry about using something it cant use, like how sun-light and sounds and rays from the Earth moving inside can weaken the structure of metal or other artificial building materials that have been smelted from their original design. Living materials no matter the size (but low rise is best) will always be more resilient against the elements of the Universe, or even the destructive line of water, who's abilities are far beyond just rust.

2: Rising above opposites. Purple of Radioactive elements. The diameter of the space and particles. This is the point of aligning your building materials along the line of rising above opposites, or having materials that are different, like the ground and then what-ever is being built with, arranged in a way where they are being opposite from each-other in space. Example, erecting pillars of wood or logs as support beams, then meeting the opposite of that which would be the beam falling over, so need braces to keep the logs in place. Look for all of the opposites and rise above them, and you have completed this task. Example for cob/clay building materials, it already has many of the same materials as what is in the soil, and so almost every single move is it's opposite because the similarity toward the soil is now out of the soil and under a different and slightly opposite influence.


3: Thinking something is moving faster and so trying to slow it down. Blue of Earthly water. The circumference of the space and particles. This is the point of using a material that considers the previous actions to be too fast, and so tries to slow them down. This would be building to an upper point above opposites to such a point, that it cant be built up or in a given direction any more, and so needs to be slowed down from that direction. This material could be water and cob (clay/sand/and straw) which will dehydrate and slow down around the beams and or cob or other material bellow. This slowing down force could also even be cross-beams on top of other straight up-right beams, so that they can cross-lay under and over the original right up pole or beam, to hold it in place. This could also include ropes or string of any kind, or any other materials that one may find.

4: Moving closer to what is resisting while taking Universal complexes of partial urges (rays of invisible base colors). Green of Earthly minerals. The volume of the space and particles. This is the point of moving closer to what is resisting (the last step of trying to slow something down, the rope, the cross-beams, cob) while taking the particles of invisible rays, or Universal complexes of partial urges. That means taking more points that you want to fill up, and making them move closer to what is resisting, while taking them and making them stronger along the way (subtracting the empty points, while adding more layers)


5: Moving closer to what is resisting while taking non-satisfying urges, colors around their opposites, or using something that cant be used. Yellow of Earthly sunlight. When particles start acting more like rays. This is the point of moving closer to what ever substance is used to slow everything down, while taking in the opposite of all colors around each-other, or the different view points that exist around what is slowing everything down, and so to connecting more opposites around each-other from it, but this time they do not all need to be rising above each-other, connecting with something more powerful or sturdy than the last piece, but some of them can. This could even be different designs that are engraved or cut into the house.


6: Leaving what is resisting a little bit, while leaving behind some non-satisfying urges. Orange of moving heat. This would be leaving the pathway, support and resistance of what ever is slowing down the whole form (cross-beams, cob, rope) only a little bit, and then leaving behind some non-satisfying urges, or following now a similar but slightly different path as the rising above opposites of the second step, so now making new supports, and also more carved in designs.


7: Leaving what is resisting completely, not being able to, and so leaving behind all non-satisfying urges. Red of earthly gasses. This would be leaving the design of what is holding the house together, and then create a whole new structure around or even inside of it that re touches upon every-single spot where opposite were rising over each-other, and every spot where something is resisting, creating even more support.


8: Not being able to touch something physically and so creating matter with it. Pink of transmuting elements. This is after designing most of the house, but now the person or people search for the rest of the design which they feel they can not touch yet, an extra something special for working out the muscles and going the extra mile, even if it is just now thinking and imagining with what has been built.

9: Not understanding something perfect and so doubting the design of everything. Invisible elements of determining if something is needed or not. This is when the person or people building the house add more of their own thought energy into discovering how and exactly why the building is done, or if it is. When this is conquered, our thoughts create an energy which stays with the house and makes it stronger in many ways, even physically, because of taking for your own responsibility the place of the destructive line of water which would other-wise try to doubt the construction with sound and light from the Earth and stars, trying to find weaknesses in the integrity of what was built, and it's materials.

9+1: Two or more all doubting things moving to enter into something else similar, causing part of that thing to doubt everything. Invisible elements of the energy of the lucid dream. This is when your thoughts start moving so fast while appreciating and thinking about the house that was built, that actual images and scenes are either stopped from happening because of being imagined in such great detail that stays with the house, or even images and scenes can be implanted into the house creating events that will happen in the future.

After 9+1 the elements of building a house change every 9 more steps in an infinite cycle, in a predictable pattern, to energies which are leaving what is resisting completely, not being able to, and so leaving behind all non-satisfying urges. Where-as the first 9+1 steps are more moving closer to what is resisting while taking non-satisfying urges.

2+: Rising above opposites again. Now pink of moving cold. This is when after building a house, every single time someone or something rises above opposites, it will move the cold in the house to the outside while keeping heat inside.

3+: Thinking something is moving faster and so trying to slow it down. Red of eating as one breathes. This is the force that is resisting or slowing down in all of the steps after building a house. This is when after thinking something is moving faster than you in your house, it starts to slow down even just a little bit, either to help along what is happening, or to try and stop what is quicker in some way.

4+: Moving closer to what is resisting while taking Universal complexes of partial urges. Orange of digesting eating as one breathes. This is when the space and home that you have built will try to feed even your body when moving closer to what is resisting and taking Universal complexes of partial urges.


5+ Moving closer to what is resisting while taking non-satisfying urges. Yellow of heavenly sunlight. This is when after building a house, everything starts to think quicker when moving closer to what is resisting while taking non-satisfying urges.

6+ Leaving what is resisting a little while leaving behind some non-satisfying urges. Green of cells growing and breaking down. This is when after building a home, the cells of life all around become stronger and multiply more when leaving what is resisting a little bit, while leaving behind some non-satisfying urges.


7+ Leaving what is resisting completely, not being able to, and so leaving behind all non-satisfying urges. Blue of Heavenly water. This is when after building a house, new images come to space and the mind when leaving what is resisting completely, not being able to, and so leaving behind all non-satisfying urges.


8+ Not being able to touch something physically and so trying to create matter with it. Purple of elements that erase information to cause a vacuum for heavenly water and the red of eating as one breathes to accelerate. This is when after building a home, material appears where ever you are not able to touch something physically, and so try to create matter with it.


9+ Not understanding something perfect and so doubting the design of everything. Invisible elements of breaking apart something that is not needed. This is when after building a house, things start to break down when there is an exact and detailed enough image of not understanding that something perfect, and so doubting the design of everything, as long as it does not contradict itself and that thing being broken down agrees in some way with what is being done.

These 9+1 forces may be repeated infinitely, even within one house.


I will give an example here of how nuclear explosions follow this formula of the Dark waterfall and the Hydra Anti-mind virus.

Inanimated guessing. Using something that cant be used and so falling apart. This is replacing the slower non-satisfying urge of all colors around their opposites inside and around the atom and it's electrons, with the quicker complex of partial urges of the base of all colors every-where, acting through some equal or greater force in itself than the opposite colors of the slower non-satisfying urges, to then either take them in and stay quicker and then be replaced with another slower non-satisfying urge only mimicking or making a copy of breaking apart. That or else to then give the information directly out of the quicker complexes of partial urges, into more slower non-satisfying urges, or colors around their opposites, to then become quicker non-satisfying urges with that information and to tear itself apart with the force.

Next is the rising above opposites of what I call greed, which first mimicked and then created, the purple elements of radioactive stones. This is replacing the quicker non-satisfying urges of the last step, being around opposites, the information that is carried over and destroys the form, with the slower complex of partial urges or rays of trying to find the highest position above all other elements. In a nuclear explosion this is when the nuclear explosion instantly casts a sound and light which tries to rise above, specifically, all colors around their opposites, which are visible colors as they are moving into and out of a rainbow, which would be matter and many different kinds of energy.

Then is The stolen image of creation ability which mimicked and then helped to create, earthly water. This is replacing the slower complex of partial urges from the last step, of rising above opposites, now in the form of thinking something is moving too fast, and is replaced with the quicker non-satisfying urges of trying to slow that thing down. This is when all of the things around the nuclear explosion that are slower in their base invisible colors, rays or complexes of partial urges are replaced by the quicker non-satisfying urges or quicker opposites of all colors around each-other, of trying to slow down everything around itself that moves quicker. This represents the neutrons of water I believe, thinking a slower complex of partial urges of thinking something is moving to fast, and then replacing it with a quicker non-satisfying urge or colors around their opposites, of trying to slow that thing down.

Then is pride, which mimicked and then helped to create the green of minerals in the soil. This is replacing the quicker non-satisfying urge of moving closer to what is resisting (The stolen image of creation ability or earthly water is what is resisting) replaced with the slower complex of partial urges of taking particles of Universal complexes of partial urges, or the invisible bases and rays of all colors. In the nuclear explosion, this is when the energy starts moving closer to the destructive line of water in the inner rainbow, particularly at what is resisting, or earthly water of the rainbow. Then the excess radiation and force starts taking the invisible base of colors, rays, or Universal complexes of partial urges, from protons of Earthly water.

Then is Aspiration death, mimicking and then later creating the yellow of Earthly sun energy. This is when the slower non-satisfying urge of the last step, taking Universal complexes of partial urges, has now changed to moving closer to what is resisting again, earthly water. Then that is replaced by the quicker complex of partial urges of taking non-satisfying urges from what is resisting. This is in the nuclear explosion when the excess radiation moves closer to earthly water again, and then takes from the non-satisfying urges, or colors around their opposites, or the electrons of Earthly water.

Then is Envy, mimicking and then later creating the orange movement of heat. This is turning the quicker complex of partial urges from the last step, of taking non-satisfying urges, into the quicker non-satisfying urge of leaving what is resisting (earthly water) a little bit. Then that is replaced by the slower complex of partial urges of leaving behind only some non-satisfying urges. In the nuclear explosion, this is when the over radiation enters into earthly water and then tries to leave it while leaving behind the nuclear energy's non-satisfying urges.

Then is Image death, mimicking and then later creating the red of earthly gasses. This turns the slower complex of partial urges of leaving behind some non-satisfying urges with what is resisting, into the quicker non-satisfying urge of completely leaving earthly water, or what is resisting, not being able to, and so leaving behind all non-satisfying urges. This is in the nuclear radiation, when more layers of radiation waste is left in the water.

Then is Porno fear, mimicking but not creating the pink of transmuting elements. This is turning the slower complex of partial urges from the last step of leaving behind all non-satisfying urges with water, into the quicker non-satisfying urge of not being able to touch matter, and replacing that with the slower complex of partial urges of trying to create matter with what cant be touched. In the nuclear explosion, this is when the radiation from the split radioactive atom moves all through the local water, and then when the water tries to touch the atom from which the energy came from and the future forms it might have taken on, to slow it down, it is not able to, because it is not in the same exact form.


Then is Hell, mimicking but not creating the invisible elements of knowing if something is needed or not in the rainbow. This is changing the slower complex of partial urges from the last step, of trying to create matter with what cant be touched, into the quicker non-satisfying urge of not understanding something perfect. That is then replaced with the slower complex of partial urges of burning up at the destructive line of water, or trying to leave what is resisting completely (water), and so creating complexes of partial urges which mimic all previous information leaving matter. In the nuclear over radiation, this would be when after the radiation moves all through the water and is not able to touch the form the atom was going to take next, all information of the previous steps creates a copy of itself to try and further touch the atom and it's future forms by leaving the matter and re-creating the information of the specifically destructive elements, trying to predict what future form the atom would have taken.

Then is Animated guessing, which mimics but does not create the invisible elements of mankind and the lucid dream changing information of creation. This is changing the previous step of slower complex of partial urges of burning up at the destructive line of water, into the quicker non-satisfying urge of two or more things burning up at the destructive line of water joining together. That is then replaced by the slower complex of partial urges of moving the two or more things burning at the destructive line of water into something that is similar to both things, and then causing it to doubt everything similarly. In the over radiation, this is when the quicker non-satisfying urge of multiple things that can no longer take on the form that forces around were shaping it to be because of the blast, also causing the copy of the destructive forces to leave matter to re-map out those connections, then is replaced by the slower complex of partial urges of moving those two or more things into something that must be similar, creating base invisible energies or rays.

Then is greed a second time, after activating the destructive line of water. It mimics but did not create, the pink of moving cold. This is changing the previous step of slower complex of partial urges of moving two or more things burning up at the destructive line of water into something else, changing now into the quicker non-satisfying urge of being around opposites. This is then replaced by the slower complex of partial urges of trying to find the highest position above those opposites. In the over radiation, this is when the energy burning up at the destructive line of water is now around it's opposite colors. Then it tries to rise above them, creating base invisible colors or rays.

Then is The stolen image of creation ability again. This mimics but did not create, the red of eating as one breathes. This is changing the previous step of the slower complex of partial urges of rising above opposites, into the slower complex of partial urges of thinking something is moving too fast. That is then replaced by the quicker non-satisfying urge of trying to slow that thing down. In the over radiation, this is when the base invisible colors, or rays of the radiation rising above opposites once again, now turns into thinking something is moving too fast also for the second time. This is when the over radiation touches anything new that comes into it's area of influence. Then it is replaced by the quicker non-satisfying urges, or all colors around their opposite, of trying to slow that thing down. This is when the over radiation starts to slow down everything around it again to the point of adding excess information of one kind into the red of eating as one breathes, as it moves pass the over radiation zone.

All steps after this continue in their destructive order, until the radiation is de-concentraited in the area.

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